
This is an ongoing body of work exploring sound as raw material—shaped through recording, distortion, fragmentation, and resonance. Drawing from the tradition of musique concrète, I work with field recordings, piano, and synthesizer, combining them with electronic manipulation to evoke emotional and sensory landscapes. These pieces were developed during my participation in an electroacoustic music workshop, where I began to experiment more intentionally with sonic textures and the musicality of the everyday.